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Rhythm is treated very differently in classical music from the sharp precision that other musics might require – it’s organic and fluid. Recognizing this difference and being sensitive to the nature of rhythm itself in different contexts is important if you’re trying to bridge gaps between different styles of musicianship.
I recognize also that I come off as pompous and harsh sometimes with my critiques of – the musicians who played on inside//outside’s record were absolutely phenomenal and had to learn and record the music in a very short amount of time. What they did was, quite frankly, incredible, and of the highest professional standard.
Hear inside//outside here:
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